Live Nation Presents:
Tue, Feb 7
Doors: 7:00 pm | Show: 8:00 pm
Tickets: $18.00
Ages 18 and Up
For any event that is listed as 18 or 21 and over, ANY ticket holder unable to present valid identification indicating that they are of age will not be admitted to this event, and will not be eligible for a refund.  Any event listed as All Ages, means 6 years of age or older.  ALL tickets are standing room only unless otherwise specified.  If you need special accomidation, contact info@cafedunord.com. 

Support acts are subject to change without refund.


Proof of Vaccination: NOT required for entry.

Proof of Negative Test: NOT required for entry.

Masks: Staff and patrons are not required to wear masks though many do.  Touring artists often request that patrons in close proximity wear masks.  We recomend bringing a mask if you are able.  We remain respectful to artists, staff, and patron's comfort level and safety.  


COVID Warning: An inherent risk of exposure to COVID-19 exists in any place where people gather. You assume all risks, hazards, and dangers arising from or relating in any way to the risk of contracting COVID-19 or any other communicable disease or illness, whether occurring before, during, or after the event, however, caused or contracted, and voluntarily waive all claims and potential claims against the Event Organizers, and their affiliated companies relating to such risks. You expressly agree to comply with all laws and the rules of the Event Organizers when attending the event.​

**The health screening protocols above are subject to change per show at the artist’s request. Any show specific changes will be updated via email prior to the show. Thank you for your patience and cooperation.**
Add to calendar
Layla Eden (known musically as awfultune), is nothing short of a resplendent musical mirror of her own human experience. Floating a few covers on through the SoundCloud stratosphere circa 2017, Eden promptly adorned themself with the awfultune moniker, on account of their belief that their efforts would fall on deaf ears. Wrong she was. In 202 2 she now touts ov er three million monthly footfalls on Spotify — officially evolving out of indie bedroom - pop obscurity.

Born and bred in upstate New York, Eden’s musical evolution is intrinsically entwined with their own adapting identity. From plaintive to sweetly serene, their chromatic catalog of dreamlike compositions has succinctly echoed their transition from male to female — becomi ng whom she’s always been. She is both an austere champion of the LGBTQ+ community and a perennial advocate for anyone who’s simply ever felt alone or estranged from themselves.

While rife with reverie and emotional complexity, an awfultune original prid es itself on its minimalism. For Eden, the narrative is usually upfront and center. A dazzling emblem of this story - centric ideal is their impassioned, quintessential offering of 2019, “I Met Sarah In The Bathroom.” More rooted in emotional truth than real ity, Sarah represents Layla’s bolder, uninhibited alter ego. More than anything, it is a love letter to themself . Now having amassed over 400 million global streams , the ir catalog is a thrilling culmination of their story so far. Having recently taken list eners on a rainbow - fueled journey chronicling their own experiences of transition and embracement of the LGBTQIA+ community with album “eden”, awfultune shows no signs of slowing.