Once every millennia, the forces of nature and the stars above, align to give the human race a gift from the Gods. For this chapter in our existence, that gift is The Psycodelics.
The group embodies and glorifies Black American Music. Elements from Funk, Blues, Gospel, Jazz and R&B leave crowds in awe with sounds that hit you like a freight train.
Their high energy show is undeniably a must see performance. Capturing audiences at Peach Fest, Joshua Tree Music Festival and Jam Cruise the delics are already booked for New Orleans Jazzfest, Winnetka Music Festival, Portland Waterfront Blues Festival, High Sierra Music Festival, Festival d’ete de Quebec and more to come.
Jared Mattson & Ruban Nielson imagined the music living in in-between places — old motels with buzzing vacancy signs, abandoned gas stations at dusk, vast parking lots lit by sodium lamps where engines idle and lives briefly overlap.
Music that could sit inside that loneliness without trying to fix it — beauty carrying a low hum of danger underneath, calm without anesthesia bringing FEAR – the joint album.
Resurfacing like cicadas, L.A.-born Atta Boy has never been in a hurry. Instead, responding to some strange seasonal instinct when it comes to recording, their unique, beguiling, comforting, and yet aching blend of pop-Americana seems to arrive in waves, well-formed, fully-gestated, yet hungry and soul-searching.
Mixing indie influences with coffee-shop confessionalism, the quartet first found each other in the hazy days of high school.
Don’t Tell John is a multi-generational bloodline rock and soul band, bringing together two brothers and the next generation of rock talent.
A blend of blues rock and roll with a 90’s vibe, the bands energy is hard and loud with a sultry, groove oriented backbone
Brotherkenzie is the solo output from Nathan Stocker – and, through the project, lives in the shadows, operating on the outskirts of the music industry. Brotherkenzie’s music is a chasm carved from honesty and earnestness, the result teetering between catchiness and pop, but with sharp edges.
3eebeebee (they/them) is a singer songwriter and producer from Dallas, TX known for blending nostalgic R&B and Pop with forward-thinking production.
Get ready for a comedy show that’s truly out of this world. Friendlyjordies is diving deep into the UFO phenomenon. Not with the tired “anything unidentified that flies is a UFO” bit, but with actual ALIENS. Yes, he genuinely believes the U.S. government is hiding alien spacecraft, and he’s risking over a decade of hard-earned credibility to convince you. Why? Because if it’s true, it’s the coolest thing ever—and not, at least you’ll have a laugh watching him unravel.
Sam Taggart is an LA-based (by way of Brooklyn) queer comedian, actor, and writer. Taggart’s comic endeavors are unapologetically, and hilariously, gay (BK Mag). He is also the co-host of chaotic podcast StraightioLab.
Sam was selected as a member of the Comedy Central Digital Creators Program in 2020, he performed at Comedy Central’s Clusterfest as part of their UpNext showcase, and was named one of Vulture’s Comics You Should and Will Know in 2021.
“Living in a world that wasn’t made for you makes you pretty strong and adaptive, and you find the fun in it,” says Alex Lahey.
As a queer person, Lahey learned how to adapt to a world that wasn’t made for her, and her third album, The Answer Is Always Yes, examines how she finds comfort in the discomfort, whether it’s reveling in absurdity or turning towards exploration.
Since 2016, Vacation Manor combine an artful blend of eloquent lyricism, alternative experimentation, indie rock energy, and unassuming pop appeal. The duo—Nathan Towles [guitar, vocals] and Cole Young [drums]—have earned acclaim from American Songwriter, Atwood, and more. Now, they pull fans deeper into their embrace on their 2025 EP [Nettwerk].
Raised in Southern California by parents who brought them to DIY punk shows and spun classic punk records in the house, Hollywood, CA-based punk up-and-comers, The Mainliners, are the real thing.
And they embrace their roots, taking inspiration from such legendary SoCal bands as TSOL, Descendants, and DI, and drawing comparisons to others in the vanguard, from The Circle Jerks to The Adolescents.
As witty as he is stylishly eclectic, Lelo is a walking billboard for music evolving artistry that pairs modern Detroit Rap aesthetics with the quirky exhilaration of Ghettotech.
Meet Me @ The Altar is here to dismantle rock music’s stereotypes riff by riff. The band has reignited the genre with their refreshing mix of earworm pop melodies, blazing guitar riffs, and punk attitude.
Their latest EP, Worried Sick, is a cathartic, reflective body of work that finds the band reenergized and returning to their easycore roots. Co-written and produced by Mike Green (Paramore, 5 Seconds of Summer, Pierce The Veil) and featuring heavy-hitting riffs, propulsive drums, searing lyrics and soaring vocals, Meet Me @ The Altar prove once again why they’re a force to be reckoned with.
Devon Baldwin is a multi-platinum independent pop singer and songwriter with sensuous, dreamy vocals, forward-thinking production and an ethereal presence. Her debut EP, Lungs, was appropriately named after her lung collapsed several times during the creation of the project leading to a brief hiatus, and the rediscovery of her sound and brand.
Ella Collier is a captures the dichotomy of raw vulnerability and fearless power in her debut album “DANGEROUS”. With her undeniable Pop hooks, Ella effortlessly blends hip-hop, acoustic, and hyperpop into a unique cinematic sound, all under the umbrella of Pop music
Mack Keane thrives as an artist, producer, songwriter, and performer, but above all else, Mack is a storyteller, deeply in tune with both himself and his surroundings.
Leading up to the release, Mack was chosen as one of Spotify’s Artists to Watch for 2026 and performed his song “Cherry Red” for COLORSxSTUDIOS. With his most authentic music on the horizon, Mack Keane is grounded in the present, enjoying every step of his ascent.
Eight additional solo rap projects, four beat tapes, a live instrumental album, numerous collaboration albums, two singles with Jack White and numerous other productions (including Danny Brown’s “Really Doe” ft. Kendrick Lamar, Ab Soul and Earl Sweatshirt) later, Black Milk remains one of hip-hop’s most prolific artists.
Each step of the way, Black has pushed sonic boundaries — starting with a classic soul-sampled sound and evolving it into an opus of live instrumentation, chopped and re-worked into an original amalgamation of funk, soul, jazz, psych rock, gospel, electronic and hip-hop.
Tommy cratfs infectious, falsetto-laced indie anthems that blur eras and borders. Blending psych-pop shimmer, sun-soaked soul, and off-kilter cool, Newport has built a global following around his elastic melodies and unmistakable voice.
With a clear vision, open heart, and guitar in hand, paris jackson plugs into pure emotion at the source.
She’s not just playing a signature brand of alternative rock; she’s tracing a lasting mark in the shape of a beautiful scar that’s cut into the skin by her raw instrumentation and relatable lyrics.
Hannah Frances is a vocalist, guitarist, composer, and poet that NPR’s Ann Powers calls “a stunning vocalist and songwriter, making monumental and mythic music,”
With this distinctive body of work, Frances solidifies herself as an artist of insurgent emotional clarity, committed to personal truth and self-actualization.
Formerly known as Cỏ Band, Out of Office is a seven-piece group based in San Francisco, born out of the Vietnamese diaspora and bonded together by a shared love of music.
This show is a love letter to the songs that raised them. Expect Vietnamese and English songs spanning the decades, from timeless classics to indie favorites, woven together with the rhythms they grew up on.
Fresh off supporting MGK and The Kid LAROI on arena tours across Australia and New Zealand, Will Swinton pairs a raspy powerhouse voice with raw, soul-baring songwriting — just ask Machine Gun Kelly, whom Swinton met by chance at a bar in Idaho in 2022.
He’d just sold his car, quit his job at a trampoline park in Auckland, and spent his last savings on a one-way ticket to LA. MGK was intrigued enough to invite him backstage at the Mainstream Sellout Tour to hear his music.
Lynae Vanee debut EP, Sundays in the Overflow LIVE is as a full sonic experience, blending live instrumentation, Hip Hop influences, and meditative elements while circling themes of healing, faith, accountability, grief, and transformation. Along with special guests and a fireside chat, Lynae is offering the full experience for her fans and the culture.
Just Surrender erupted out of New York in 2003, sharpening its sound in the clubs, basements, and late-night corners of the city with a relentless DIY drive.
What began as a local spark quickly turned into a full-blown blaze as the band hit the road without looking back—touring nonstop alongside scene heavyweights like Bayside, Hawthorne Heights, Metro Station, Bowling For Soup, Yellowcard, A Day To Remember, Four Year Strong, Paramore, and All Time Low.
But after years of momentum, label politics and industry complications forced the band into an unexpected hiatus.
Now, after time away from the noise, Just Surrender has returned—seasoned, hungry, and with something unmistakably left to prove.
BAILEN is a songwriting-forward, indie pop, folk-rock band that has captivated audiences with their musical dynamism and the three-part “blood harmony” of the charismatic siblings.
The trio was raised by two freelance classical musicians in New York City who steeped them in Rock & Roll and Brahms. Their close familial bond is evident in their tight-knit musical arrangements and rich, emotive harmonies.
DWLLRS, the CA-rooted duo of lifelong friends Bren Eisman and Joey Spurgeon, whose late-night conversations about life, existence, and love evolved into a hit making string of layered and lush alternative pop gems (Our Era)
The Charities are a West Coast band that blends soul, funk, and jazz. With a tight rhythm section, smooth melodies, and crisp background vocals, their music captures diverse influences while staying grounded in a modern style.
The band’s sound reflects the energy of Southern California, offering a dynamic, straight-ahead approach to music that emphasizes authenticity.
Zoh Amba is a songwriter and musician with a formidable reputation as a saxophonist and ensemble leader. Zoh’s acclaimed recordings, compositions and improvisations blend avant-garde, noise, and devotional hymns ( Zoh “mak[es] hugely profound, wildly uplifting music” – The Guardian).
In 2025 Zoh made the striking (and to some, astonishing) decision to switch their musical attention to songwriting, acoustic guitar and folk music.
Lenka is an Australian singer-songwriter and performer whose unique blend of emotive pop and experimental sound has captured the hearts of listeners worldwide.
Her ability to connect with audiences of all sizes, from intimate club gigs to large festival stages, has made her a beloved figure in the indie pop scene.
Beckoning you to sit shotgun in the passenger seat, she’ll hit the gas and guide you through wild nights that stretch into hazy mornings, the ups and downs of short-lived hookups, and all the excitement of being a Gen-Z twenty-something with nothing to lose and all the time in the world.
These wild rides are set to a soundtrack of smoked-out alternative R&B jet-fueled by pop appeal.
London-based polymath anaiis makes the kind of music that speaks to an innate sense of wonder. On her latest album Devotion & The Black Divine, the songs swell with emotional clarity as she lovingly pushes herself beyond the edges of her comfort zone.
There’s an ecstatic melancholy in Dent May’s music, bittersweet, exuberant songs that break your heart as you sing along.
Blending DIY pop with ’70s songwriter warmth, May embraces improvisation, community, and cautious optimism, finding joy, connection, and possibility even as the world feels uncertain.
Dark-pop provocateur, Daniel Virgil Maisonneuve, professionally known as Sub Urban is a Taiwanese American singer, songwriter and producer most known for his RIAA double platinum-certified hit, “Cradles”. Since his breakout hit, Daniel has continued to innovate his electric sound, imbuing macabre theatrics with distinctive timbres and undeniably addictive hooks
Boys Go To Jupiter is most definitely a band. But it feels like something else. A friend you can just talk to for hours. A story that hooks you from the very first word. Or three Brooklyn twenty-somethings who really, really love a great song.
A whirlwind of influences and genres, their captivating sound is grounded in strong storytelling and powerful live performance. Blending joyful indie-pop, dreamy soul, lush folk and sugary punk, the Brooklyn-based band delivers.
To Lauren Sanderson, rebellion isn’t an aesthetic – it’s a practiced discipline, delivered at full volume.
Drawing from the hyperactive futurism of Missy Elliott and the abrasive bite of nü-metal, Sanderson distills those influences into something distinctly her own: a swaggering, energetic vision balancing sharp hooks with unfiltered attitude.
Darkness and light, aggression and gentleness, ecstasy and reflection: these dualities define Slow Magic’s third and strongest project to date, Float.
An expansive and inventive compendium of modern electronic pop, the enigmatic producer’s latest spans a multitude of genres and moods resulting in a listening experience that makes for its own journey.
tobi lou is a genre-bending rap artist with a knack for blending deeper lyricism into light beats, putting his own spin on what emotional artistry looks like.
Saint Harison is an artist with an undeniable voice from Southampton, United Kingdom, currently living in Los Angeles.
Called one of the “great voices not just from the UK, but of all time” by Elton John, Saint has quickly become a fan favorite with nods from Justin Bieber, Jazmine Sullivan, SZA and more.
He was recently named on Rolling Stone’s Future of Music list. Citing Amy Winehouse and Frank Ocean as key musical influences, Saint has been covered by British Vogue, Rolling Stone, NPR, GQ, CLASH, Variety, Pigeons & Planes etc. and was named Apple Music’s global Up Next artist.
Keznamdi’s music feels like a passport stamp: rooted in reggae’s spiritual backbone, yet shaped by a life lived across continents.
Sonically, Keznamdi stands at the intersection of tradition and now: threading roots reggae and dancehall with global influences, including Bongo Flava, R&B, and rap, delivered with a writer’s intention and a performer’s warmth. As he puts it: “My music is a message… every one of my songs have a purpose.”.
Mountain Grass Unit is known for high-energy live shows, adventurous musicianship, and the rare chemistry that comes from years of playing together.
The band brings a forward-looking spirit to bluegrass tradition, blending instrumental firepower, improvisation, jamgrass energy, and song-driven roots music into a sound made for the stage.
For pop-rock trio Arrows in Action, comfort and familiarity aren’t just themes—they’re forces that pull you into old patterns and old feelings. That double-edged rush sits at the heart of their second LP, I Think I’ve Been Here Before.
Produced by Dan Swank (All Time Low, Charlotte Sands), I Think I’ve Been Here Before is a labor of love—an LP unafraid to sit with heavy emotions while radiating light.
Jacob Alon? Damn. They’ve got the voice of a tortured angel, and the darkest of lyricists. One of the funniest too. Has lived a life, and puts it’s all into song, every last drop. Bleakly beautiful bittersweet symphonies. Undresses themselves completely in telling those stories (metaphorically speaking), and it’s visceral stuff. The real deal. Scotland’s young Makar in waiting. That voice..
Anna Graves is an alt-folk artist whose music casts spells through storytelling.
Her sound weaves cinematic pop melodies with folk intimacy where vulnerability transforms into power, and heartbreak alchemizes into healing.
Evangelia is a multi-platinum Greek-American artist blending modern pop with traditional Greek sounds. In just two years, she’s become one of Greece’s most-streamed artists, with viral hits like “Vále,” “Vradia,” and “Fotiá, ” and over 16 million Spotify streams.
A multifaceted creative at every level, BLÜ EYES writes, produces, and shapes her own sonic world with striking intention. Her ability to translate vulnerability into connection has earned her a rapidly growing global audience and established her as one of the most compelling new voices shaping the next era of authentic pop music.
In the echo chamber of pop’s polished perfection, Syd Taylor has made a decidedly imperfect, deeply personal noise.
With After the Fact—her debut, self-produced solo album, out —Syd Taylor introduces herself on her own terms:
Just Syd, a guitar, an open heart, and a belief that imperfection is its own kind of clarity.
(The Nuance Magazine)
Whoever Allan Rayman is, he’s made a hell of a body of work so far.
The Toronto based artist has delivered one head-scratching, hypnotic and heavenly project after another, including ‘Hotel Allan’, ‘Roadhouse 01’, and the unforgettable ‘CHRISTIAN’.
Along the way, he generated over 250 million streams, sold out tours in Europe, USA and Canada, and shined at festivals, including Reading & Leeds, Bonnaroo, Rifflandia and Lollapalooza, and has collaborated with the likes of Jessie Reyez, Alex da Kid and James Vincent McMorrow.
Pertinence is renowned for his alternative hip hop sound. WIth his distinctive sound, Pertinence has established himself as a force to be reckoned with, combining elements of traditional rap with a more experimental sound.
Hailing from the Midwest, Post Sex Nachos turns life’s heaviest feelings into something you can dance to, blending genre-bending energy with humor, heart, and emotional honesty.
Laura Veirs has forged a career singing personal songs of romantic intoxication, everyday vignettes, and social commentary that are often heavy on introspection and intense character scrutiny. She is fascinated with the intersection of poetry and science and explores this in her lyrics.
Featuring a blend of acoustic instruments, rural soundscapes, and wistful vocals, Great Lake Swimmers are a critically acclaimed indie-folk group
The music developed in that pastoral warmth, performed and recorded in acoustically resonant and historical locales with a revolving cast of personnel.
They are renowned for homespun folk and lush, intimate Americana in their live shows.
Taking 90s US college rock influences and the majesty of Sufjan Stevens as the start point, her band are now known for euphoric music that breathes life into rock from a Gen Z perspective.
Stereogum summed her up perfectly when saying “There’s a bit of Pixies and Snail Mail and The Beths in there, and maybe some Lomelda and Lucy Dacus and Built To Spill. You know, that really fcking good sht.”.
With each release, Lime Garden continue to further their reputation as ‘ones to watch’ – with a host of tips behind them from NME to The Independent, BBC 6music to KEXP, and even Johnny Marr to Hayley Williams.
Maybe Not Tonight sees four young women band together to find their own conviction in unsteady circumstances, producing their most intoxicating and luminous material to date.
The Perth-based four-piece makes music for authentic connection.
For movement, for feeling, and for being present.
These are songs that push you to run outside and be a kid again, to fall in love, dance in your kitchen, take a spontaneous trip with mates, or lie in the grass doing nothing at all.
As IAN SWEET prepares for an exciting new chapter in her decade-strong discography, 2026 promises to be Medford’s most realized songwriting era to date.
IAN SWEET’s music has been streamed millions of times worldwide and has been praised by the likes of The FADER, KEXP, The New York Times, NPR Music, Pitchfork, Rolling Stone, Stereogum, and elsewhere.
As far back as I can remember, I always wanted to be in a rock and roll band.”
Dave Hause had an epiphany rewatching Goodfellas. “There’s that scene in the beginning where Henry Hill says, ‘As far back as I can remember, I always wanted to be a gangster.’” The Philly-bred, California-based singer-songwriter always longed to be in a different kind of mob.
This record is …And The Mermaid. And those 10 songs offer a welcome shock to the system, blending Hause’s signature lyrical elan and gift for surging melodies with his keening vocals and some deliciously sharp musical elbows courtesy of the titular group.
Wyatt first gained national attention with his powerful protest anthem “FIGHT!” during the 2020 Black Lives Matter movement, marking him as not only a compelling performer but also a voice for social awareness and change. Since then, his growing audience has been fueled by viral acapella performances and visually engaging releases that highlight both his versatility and charisma.
Best experienced live, MARIS ensures audiences feel free to be their happiest, truest selves, blending heartland rock with glam-pop bombast, MARIS crafts arena-sized, sugar-rush choruses built around elastic vocals and diaristic songwriting.
MARIS is proud to partner with LIFEBEAT, a program of The Elizabeth Taylor AIDS Foundation, on her upcoming tour. $1 from every ticket sold will benefit the program, and LIFEBEAT will be offering resources on sexual health, harm reduction, and more at select stops.
gavn! brings folk/country infused pop with a baritone edge.
HARBOUR has gone from packing rooms in their native Cincinnati to selling out venues across the United States.with their infectious, high energy sound that transfers seamlessly into their live shows.